Early Turkoman Tent Band - Throw / Display piece. Circa 1880

Early Turkoman Tent Band. Circa 1880. Three lengths of rare Tent Band, sewn together forming a Throw / Display piece. Rare and early survivor from the height of Karakalpak material culture*.

The three lengths from the same Tent Band, and the fixing seams and applied tassles correct for the era. The Tent Band itself of highest quality with hand-knotted geometric designs comprising silk highlights on plain cotton white warp-faced (plain-weave ground). The elaborate design comprises high pile on ivory flat woven background. The silk pile and knots primarily in terracotta reds, browns, grey and golden-yellow highlights. The dyes to the hand-spun wool have been applied skillfully. Extremely finely woven and of high quality. The vibrant colours used reflecting the country's rich cultural heritage, most likely Karakalpak material culture.

Condition: Good condition. A few seam stiching losses and minor fraying in the ground. Backing / support fabric with a few small holes (circa 1970s). Very minor trace of dye bleeding onto the white cotton ground commensurate with age.

Dimensions approx: (excluding tassles).

Length =120 cm
Width = 60 cm
Thickness = 3 mm

* The Karakalpaks made a range of decorative tent bands to join, support and decorate the wooden frame of the yurt. The largest (and widest) was the qizil basqur, which constrained the base of the yurt roof. This was made from a mixture of natural goat hair and red sheep''s wool. The smallest bands were the short lengths of dizbe, used to tie the qanats and other wooden components of the yurt together. In between were other bands, such as the ishki beldew, and the numerous qizil qur and aq qur, which together fasten the felt roof parts to the frame. The qizil qur holds down the front roof section while the aq qur hold down the rear roof section.

** The bands were decorated with a knotted pile that only partially covered the cotton ground of the tent band. The main colours used were brown, beige, and salmon pink, while secondary colours included black, blue, pistachio green, and golden yellow. In combination technique the knot cannot be tied across adjacent warps, as with a normal all-piled carpet. This is because the tight packing of the warps does not leave sufficient space for normal knotting. Instead the weaver uses just half of the available warps, forming the shed and then tying a knot on only the raised set of warps. The knot is therefore tied across a warp and its neighbour but one. This can only be done using a symmetric knot. After inserting the cotton weft the shed is changed and knots can be tied on the other set of warps. The two rows of knots are offset by one warp. In this technique the spare warps must float behind the knot, concealing its underneath from view. As a consequence, combination technique tent bands appear to have a plain cotton back.